James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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James Tissot The painters and their Waves oil painting


The painters and their Waves
mk235 c.1885 146x101.7cm Oil on canvas
Painting ID::  54103
James Tissot
The painters and their Waves
mk235 c.1885 146x101.7cm Oil on canvas
   
   
     

James Tissot the reception oil painting


the reception
mk247 1883 to 85,oil on canvas,albright knox art gallery,buffalo,ny,usa
Painting ID::  56312
James Tissot
the reception
mk247 1883 to 85,oil on canvas,albright knox art gallery,buffalo,ny,usa
   
   
     

James Tissot Autoportrait oil painting


Autoportrait
Autoportrait
Painting ID::  61049
James Tissot
Autoportrait
Autoportrait
   
   
     

James Tissot La femme Prehistorique oil painting


La femme Prehistorique
La femme Prehistorique
Painting ID::  61050
James Tissot
La femme Prehistorique
La femme Prehistorique
   
   
     

James Tissot Le Balcon du Cercle de la rue Royale oil painting


Le Balcon du Cercle de la rue Royale
Le Balcon du Cercle de la rue Royale (The Circle of the Rue Royale), 1868
Painting ID::  61052
James Tissot
Le Balcon du Cercle de la rue Royale
Le Balcon du Cercle de la rue Royale (The Circle of the Rue Royale), 1868
   
   
     

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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